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	<title>Claudia Arozqueta</title>
	<link>https://claudiaarozqueta.com</link>
	<description>Claudia Arozqueta</description>
	<pubDate>Fri, 31 Oct 2025 18:33:33 +0000</pubDate>
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		<title>News</title>
				
		<link>http://claudiaarozqueta.com/News</link>

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		<pubDate>Fri, 31 Oct 2025 18:33:33 +0000</pubDate>

		<dc:creator>Claudia Arozqueta</dc:creator>
		
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		<description>Claudia ArozquetaBooks&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Texts&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Projects&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bio &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

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		<excerpt>Claudia ArozquetaBooks&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Texts&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Projects&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bio &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;</excerpt>

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	<item>
		<title>Books</title>
				
		<link>http://claudiaarozqueta.com/Books</link>

		<comments></comments>

		<pubDate>Fri, 12 Jul 2024 17:11:00 +0000</pubDate>

		<dc:creator>Claudia Arozqueta</dc:creator>
		
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		<description>Claudia ArozquetaBooks&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Texts&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Projects&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bio &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
Books

	&#60;img width="900" height="1350" width_o="900" height_o="1350" src_o="https://cortex.persona.co/t/original/i/46274457425007eefbcdff88ff26f375391e061538117ca0b70b229eaf7b572f/HBA-CA-MIT.jpg" data-mid="1397510" border="0" data-scale="65"/&#62;

	HEARTBEAT ART
MIT Press, May 2025. Open Access. Read here.An innovative history of heartbeats, pulse, and technoscience in the works of a wide international array of artists and composers

Heartbeat Art is the first study of how artists have engaged with heartbeats from the 1960s to the present, creating sophisticated and technological works that project in unique ways the circulatory processes of the body beyond its physical limits. Drawing on a long history of scientific and artistic experimentation, Claudia Arozqueta offers detailed case studies of heartbeat works by a wide range of international artists working at the interconnections of our bodies, art, and science and technology, including Yoko Ono, Pauline Oliveros, Heinz Mack, Brian O’Doherty, Teresa Burga, Mona Hatoum, Rafael Lozano-Hemmer, Christian Boltanski, and many others.&#38;nbsp; 
&#38;nbsp;



Edited Journals
	&#60;img width="1126" height="1454" width_o="1126" height_o="1454" src_o="https://cortex.persona.co/t/original/i/6ec2e2fa6a04e7e1a3c289d3353371ef94ec7a67db0f055e4377153bd80836de/Screenshot-2025-01-20-at-8.39.50a.m..png" data-mid="1392972" border="0" data-scale="69"/&#62;
	The Sounds of Nature
Ideas Sónicas &#124; Sonic Ideas, No. 32, 2024. Read here&#38;nbsp;
This 20th anniversary issue of Sonic Ideas muses on the sounds of nature. As forms of energy, the sounds of nature have an impact on our body and our perception of our surroundings. Our dissociated relation with the environment has resulted in a global ecological crisis. Today, more than ever, it is essential to consider ourselves and our actions in the context of nature and all living beings.

Artists, composers, researchers,

and thinkers from around the world were invited to write about the sounds of nature, including animal vocalizations; non-vocal sounds made by humans and non-human life; environmental sounds on Earth and
beyond; as well as speculative and fictional sounds from the natural kingdoms; etc.

Contributors 
Jo Burzynska, Lena Ortega Atristran, Jorge Variego, Julia Bejarano López, Douglas Kahn, Juan Duarte Regino, David Garrido Rojas, Jonathan Corzo Garavito, Angélica Piedrahita, Pippin Barr, Matthew Bethancourt, Caterina Riva, Juan Fabuel, etc.




© 2025&#38;nbsp; ~ Claudia Arozqueta 











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		<excerpt>Claudia ArozquetaBooks&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Texts&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Projects&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bio &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Books  	 ...</excerpt>

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	<item>
		<title>Home</title>
				
		<link>http://claudiaarozqueta.com/Home</link>

		<comments></comments>

		<pubDate>Tue, 27 Jun 2023 01:10:36 +0000</pubDate>

		<dc:creator>Claudia Arozqueta</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Claudia Arozqueta


Books&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Texts&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Projects&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bio &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="4500" height="4500" width_o="4500" height_o="4500" src_o="https://cortex.persona.co/t/original/i/906d60fdc7adab5ce8d485f627cba981eb666878e444c5c3aee42f8a73d534f3/arozqueta.art.graphics.jpg" data-mid="1405349" border="0" data-scale="93"/&#62;© 2025&#38;nbsp; ~ Claudia Arozqueta

 </description>
		
		<excerpt>Claudia Arozqueta   Books&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Texts&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Projects&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bio &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;©...</excerpt>

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	<item>
		<title>Bio</title>
				
		<link>http://claudiaarozqueta.com/Bio</link>

		<comments></comments>

		<pubDate>Mon, 11 Feb 2019 23:55:06 +0000</pubDate>

		<dc:creator>Claudia Arozqueta</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Claudia Arozqueta

Books&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Texts&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Projects&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bio &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
	



















Claudia Arozqueta is an interdisciplinary historian, curator, and writer. She investigates the nexus of contemporary visual, media, and sound arts with nature, science and technology. She is the author of Heartbeat Art (MIT Press, 2025). 







 Since 2006, her writing has appeared in catalogues, books and journals, including Leonardo, Artforum, e-flux Criticism, Frieze, Art21,&#38;nbsp;etc.
Arozqueta holds a PhD in 

 window.dataLayer = window.dataLayer &#124;&#124; [];
 function gtag(){dataLayer.push(arguments);}
 gtag('js', new Date()); gtag('config', 'G-JGQVW6673Z');Art History and
Theory from the University of New South Wales, Australia. Previously, she earned a MA in Media Art Histories from Donau-Universität Krems in Austria; and a BA in History from the National Autonomous University of Mexico.
From 2011-2013, she was Director
of Enjoy Public Art Gallery in Wellington, New Zealand, where she curated over a dozen exhibitions interconnecting local and international artists. 
 
As an independent curator,
she has organized various exhibitions for international
organizations and festivals, including Blue Star
Museum, San Antonio, USA; National Centre
for Contemporary Arts, Moscow; XYZ Collective, Tokyo; Artspace, Auckland; TCB artinc, Melbourne; etc.&#38;nbsp;



&#38;nbsp;
In 2014, Arozqueta founded Modelab, a nomadic artistic initiative exploring public space, ecologies and experimental historical narratives, with recent projects at Les Traversées du Marais Festival, Paris; Taipei Artist Village, Taipei; Manila Biennale, Philippines; etc.
 
Arozqueta has been a  writer and curator-in-residence at Fogo Island Arts, Newfoundland (2025); Conseil des arts et des lettres du Québec, Montréal (2023); Cité Internationale des Arts, Paris (2019); Treasure Hill Artist Village, Taipei (2019); etc.&#38;nbsp;







&#38;nbsp;



© 2025&#38;nbsp; ~ Claudia Arozqueta


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		<excerpt>Claudia Arozqueta  Books&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Texts&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Projects&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bio &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 	           ...</excerpt>

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		<title>Texts</title>
				
		<link>http://claudiaarozqueta.com/Texts</link>

		<comments></comments>

		<pubDate>Mon, 11 Feb 2019 23:54:54 +0000</pubDate>

		<dc:creator>Claudia Arozqueta</dc:creator>
		
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		<description>Claudia ArozquetaBooks&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Texts&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Projects&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bio &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Selected&#38;nbsp;Essays
	&#60;img width="980" height="691" width_o="980" height_o="691" src_o="https://cortex.persona.co/t/original/i/cac8f2340aa202c8f783e36da7f916ed16130bc1fc8b02a0d263aac164363583/Screenshot-2025-10-14-at-1.14.49p.m..png" data-mid="1421151" border="0" /&#62;“Conexión de Latidos &#124; A Connection of Heartbeats” in Rafael Lozano-Hemmer: Latidos, Mexico City: Arte Abierto, 2025.
	

	&#60;img width="1768" height="1242" width_o="1768" height_o="1242" src_o="https://cortex.persona.co/t/original/i/131c835ae8b0a158362d8473589187fd2208de82b909838ec898d7a99c0ded72/Screenshot-2025-06-11-at-10.36.01a.m..png" data-mid="1410264" border="0" /&#62;“Timing Pulses: The Interoceptive Art of Allan Kaprow’s 'Time Pieces',” The MIT Press Reader, 2025.
	&#60;img width="681" height="511" width_o="681" height_o="511" src_o="https://cortex.persona.co/t/original/i/6cd1671bc0df04d8189b5c97c4ad46baad4714ba29851d7a417967de1a388eda/Joshua-Rashaad-McFadden--Say-Their-Names-Minneapolis--Minnesota--2020.png" data-mid="1407607" border="0" data-scale="90"/&#62;


















“Respiratory Blockages, or The Politics of Breath,” Espace art actuel, 2025.


	&#60;img width="1500" height="1000" width_o="1500" height_o="1000" src_o="https://cortex.persona.co/t/original/i/d05ada593fa589a5e62940775e87f6b228a4ac917fce31f77b84ef48dc0ac754/2017-RA-III-1597.jpg" data-mid="1391130" border="0" /&#62;


















“Life in a Breath: Rosalie D. Gagné’s Works” in Rosalie
D. Gagné: A Contemporary Alchemist, New York: Neuberger Museum of Art, 2024.
	&#60;img width="2120" height="1412" width_o="2120" height_o="1412" src_o="https://cortex.persona.co/t/original/i/0d5f17f5c95252eaee9138b9a608de577c4cf39e835b71641217c4f21c38b327/Screen-Shot-2020-10-07-at-4.41.26-pm.jpg" data-mid="1259226" border="0" /&#62;“Releasing Power: Notes on Atoms and Art,” Art and Australia, 2021.
	&#60;img width="447" height="293" width_o="447" height_o="293" src_o="https://cortex.persona.co/t/original/i/3e33c090abbd349cd85dfb70cecab5e0d1f6a33f36102f99cfab03e22603a18f/spotlight.png" data-mid="643314" border="0" data-scale="100"/&#62;“In the Spotlight: Seachlights, Surveillance, and Spectacle,” ISEA, &#38;nbsp;2019.

	&#60;img width="638" height="434" width_o="638" height_o="434" src_o="https://cortex.persona.co/t/original/i/6873e7fb95286d353d642bb58fd3745c62a4d7cb8c52484f32810fbb41ce5ab3/image0011.jpeg" data-mid="1259095" border="0" data-scale="99"/&#62;
“Heartbeats and the Arts: A Historical Connection,” Leonardo, 2018.
	&#60;img width="447" height="293" width_o="447" height_o="293" src_o="https://cortex.persona.co/t/original/i/08f225e047964e92e56381dbbd81bb76f356d8c0703a45a00787e7e6544b62eb/lozano.png" data-mid="643307" border="0" data-scale="100"/&#62;“Polysemous Light: Light as a contradictory material in Rafael Lozano-Hemmer’s work,” Artnodes, 2018.
	
Selected Reviews&#38;nbsp;

	&#60;img width="2691" height="1790" width_o="2691" height_o="1790" src_o="https://cortex.persona.co/t/original/i/a44eed143020bdb93ee0c297490feb5fa70c5610f635894b17b2ddade57b066c/IMG20250201113449.jpg" data-mid="1407604" border="0" /&#62;“Cristóbal Gracia: Perlas Barrocas Cultivadas...,” Artforum, Spring issue, 2025.
	&#60;img width="800" height="534" width_o="800" height_o="534" src_o="https://cortex.persona.co/t/original/i/05d6c30f3ecbd88d67b87793506adcf3742374b76fbc682a07af6c2f5d1b7942/Raul-The-zone2.jpeg" data-mid="1214596" border="0" data-scale="100"/&#62;“Raul Ortega Ayala: The Zone, Chernobyl,” Proyectos Monclova, 2022.
	&#60;img width="608" height="400" width_o="608" height_o="400" src_o="https://cortex.persona.co/t/original/i/d9d7dc5e4ceb2b076bb1b57f68dc55ea220b6219e7a47e31020deb3b40b15753/featured00_landscape.jpg" data-mid="900313" border="0" /&#62;“Cornelia Parker,” Artforum, 2020.

	&#60;img width="757" height="488" width_o="757" height_o="488" src_o="https://cortex.persona.co/t/original/i/4f40fc5094657b602aa865d586058f824f178b8a0feeefc8b7a9964ad2f3b870/Screen-Shot-2019-05-16-at-12.37.10-pm.png" data-mid="710856" border="0" /&#62;“Janet Laurence: After Nature,” e-flux Criticism, 2019.
	&#60;img width="980" height="651" width_o="980" height_o="651" src_o="https://cortex.persona.co/t/original/i/916fc947b993c477de6e89255eeb429dac5b736a2dc00a693008e2f714c922c6/FAS_KNE_0056_D1_A-copy.jpg" data-mid="900310" border="0" data-scale="100"/&#62;“Kate Newby: Bring Everyone,” e-flux Criticism, 2019.
	&#60;img width="1500" height="1092" width_o="1500" height_o="1092" src_o="https://cortex.persona.co/t/original/i/0eeccb60b6350a7050ea4a8a79618b8fde12d0bfa240585376a95505e7df320c/coonner.jpg" data-mid="1407599" border="0" data-scale="94"/&#62;
“Bruce Conner: Out of Body,” e-flux Criticism, 2018.

Selected Interviews&#60;img width="882" height="636" width_o="882" height_o="636" src_o="https://cortex.persona.co/t/original/i/ec76b5c35dd097d3b54d62e043200d3de2cf101a67b0e2a183166d49d0026263/Screenshot-2025-01-08-at-6.00.00p.m..png" data-mid="1391133" border="0" data-scale="91"/&#62;“Corpus Aquae: Las Bioinstalaciones de Amor Muñoz,” Ideas Sónicas, 2024.
	&#60;img width="705" height="456" width_o="705" height_o="456" src_o="https://cortex.persona.co/t/original/i/e199b8b8a78eb225e1c1b9829c71339d4676514919daf9034d029b00d50ea0ec/Connelly-Northey_Narrbong_photoLuisPower-10.jpg" data-mid="677218" border="0" data-scale="100"/&#62;“Sculptures That Bite: Lorraine Connelly-Northey,” Frieze, 2019.

	





© 2025&#38;nbsp; ~ Claudia Arozqueta

</description>
		
		<excerpt>Claudia ArozquetaBooks&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Texts&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Projects&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bio &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  &#38;nbsp;...</excerpt>

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	<item>
		<title>Projects</title>
				
		<link>http://claudiaarozqueta.com/Projects</link>

		<comments></comments>

		<pubDate>Mon, 11 Feb 2019 23:43:18 +0000</pubDate>

		<dc:creator>Claudia Arozqueta</dc:creator>
		
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		<description>Claudia Arozqueta

Books&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Texts&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Projects&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bio &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
Selected Projects
&#60;img width="2544" height="1696" width_o="2544" height_o="1696" src_o="https://cortex.persona.co/t/original/i/a0fe9436587936eae23f3c6d86a029ce4e8601a59d514457e994a37d95033713/photo-output-3.png" data-mid="1309594" border="0" /&#62;
Systemes de circulation (2023), Coop Lezarts &#124; La Chaufferie, Montréal.


&#60;img width="1105" height="725" width_o="1105" height_o="725" src_o="https://cortex.persona.co/t/original/i/82ac86df2e6d92a688ba26d7ee59af283ad339f549b708386d6184f732b4bf13/WhatsApp-Image-2020-09-05-at-10-1.jpg" data-mid="978124" border="0" /&#62;Breathe Out (2019), Cité International des Arts, Paris, France.&#60;img width="447" height="293" width_o="447" height_o="293" src_o="https://cortex.persona.co/t/original/i/7457e91c337f862f97cf1fb2b1366f38cb283d6499cb517356b806b3c07dff33/IGP2739.jpg" data-mid="643379" border="0" /&#62;Reclaimed by Nature (2017), Blue Star Museum, San Antonio, USA.&#60;img width="420" height="272" width_o="420" height_o="272" src_o="https://cortex.persona.co/t/original/i/26138804e7c4cf9e95c08aa8741854e4b14de5504bd40c4e567d947c510f9b5b/traza_ciudad-1.gif" data-mid="643380" border="0" /&#62;Ghost Walker (2015)Museum Muca Roma, Mexico City, 2016Rochester Arts Center, USA, 2022
&#60;img width="2564" height="1771" width_o="2564" height_o="1771" src_o="https://cortex.persona.co/t/original/i/e0e082b52837b8a36fb2694ed60570f2aa6a36cc2202163661d73cdb3ed8d832/DSCF7439-BN-20x30-300-3.jpg" data-mid="978250" border="0" data-scale="95"/&#62;You may or you may not be (2015)Ex-Galerie Barbazange, 26 Franklin D. Roosevelt Ave., Paris, France.
&#60;img width="1199" height="800" width_o="1199" height_o="800" src_o="https://cortex.persona.co/t/original/i/2c81016f6b5b3407c1024cb4967f1fb242967557f40749f2cbf78a87082f2c7c/Surveillance_18_2.jpg" data-mid="643381" border="0" /&#62;Surveillance Awareness Bureau (2015), 1 Grey St., Wellington, New Zealand.
	&#60;img width="1024" height="722" width_o="1024" height_o="722" src_o="https://cortex.persona.co/t/original/i/8e1833c1c49118e856f3cfc55c665706d49315e05f9db952a70c4d2f5bc65c41/excess-baggage.jpeg" data-mid="1211971" border="0" data-scale="93"/&#62;Excess Baggage (2015), Blue Oyster, Dunedin, New Zealand.
	
&#60;img width="447" height="293" width_o="447" height_o="293" src_o="https://cortex.persona.co/t/original/i/f9dc3b6c72b8dd59936d4d7e0112172ea1676fec1d3f7fba464e387a71844c00/kate_newby_04.jpg" data-mid="643384" border="0" /&#62; Laura, Lucy, Mark and Felix - Kate Newby (2014), Oriental Bay, Wellington, New Zealand.

	&#60;img width="1719" height="1123" width_o="1719" height_o="1123" src_o="https://cortex.persona.co/t/original/i/138342dbcbeb1ed5b47155940db0f1f10d5fcfa74ebb0a4b2cfeb27b2dd5f839/Screenshot-2023-11-05-at-12.13.33p.m..png" data-mid="1327567" border="0" /&#62;Te Whare Pora - Mataaho Collective (2013), Enjoy Gallery, Wellington, New Zealand.


© 2025&#38;nbsp; ~ Claudia Arozqueta


</description>
		
		<excerpt>Claudia Arozqueta  Books&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Texts&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Projects&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bio &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;...</excerpt>

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